The work is divided into 13 individual movements as listed in the instrumentation above. They vary in their categorization and usage throughout the play; some are purely instrumental works, while others contain vocal sections. Some are full length pieces used for scene changes, while others are utilized as background music for stage action. Of these movements the Overture, Scherzo, Intermezzo, Nocturne and Wedding March have proven to be favorites with audiences in the decades since Mendelssohn completed the work. With the incidental music, Mendelssohn was able to recapture the spirit and moods of the original Overture – recreating the brilliance that he was hailed for seventeen years prior. Many of the 12 additional pieces re-use the themes and motives that were used in the Overture to express various aspects of the play. They are extracted, expanded, and re-worked – creating a sense of unity throughout the entire work.
The following is a brief analysis of these movements and an attempt to highlight the common threads that run throughout the entire incidental music.
The Overture
Other Movements
The following is a brief analysis of these movements and an attempt to highlight the common threads that run throughout the entire incidental music.
The Overture
Other Movements